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The addition of singer-composer Lisa Lipkin added another layer to their headphone psychedelia, which peaked with a telling, closing rendition of Spiritualized's "Come Together." That set the scene for the titanium suites of instrumentalists My Education, who were more immediate and forceful as a quintet than its Sunrise soundtrack suggests.In between, FM Campers added oddball electro-rock of the Hype Machine variety, while Paper Shapes closed with the driving, linear post-punk spasms from last year's overlooked Be Vigilant.He succeeds in Big Time Dance when their relationship is confirmed.As the series continues, Kendall and Jo become much closer to the point where they are in love with each other.Jendall (J/o) and (K/endall) is the romantic pairing of Kendall Knight and Jo Taylor.

Some were attached to sorely underrated movies, others were overshadowed by wildly successful ones, and some have simply been forgotten in the passage of time.

It's a landscape that reflects both his devastation at the end of the relationship and his passionate memory of Lisa's body, not so much a new-found-land like Donne's America, but an icy enigma, a sexy-scary blank. Poor, muddled Matt is quite unable to talk about his feelings for her, and the nearest he gets is sweetly running into the freezing cold sea on a pebbly British beach to prove his love.

They meet at a Black Rebel Motorcycle Club concert at the Brixton Academy in London and go back to his place for sex, setting a pattern of lovemaking and going out to gigs that repeats nine times through the film: guitar band, sex, guitar band, sex, guitar band, sex, and so on. Their conversation has the uncertain, improvised aimlessness of real life, and their relationship is not developed and complicated in any traditionally scripted sense. So this is no great love affair; there are no big scenes of tears and laughter; breaking up and making up. Its very casualness, its unfinishedness and downbeat messiness give the affair the feeling of real life, which by a further paradox makes it more engaging than something more obviously dramatic.

8-9 Free Week's the musical equivalent of speed dating: no obligations or financial commitments, plenty to choose from, and only about 30 minutes to make an impression.

It's best to approach such circumstances with low expectations, especially when the bill offers a random grab bag, like Beauty Bar's Saturday lineup, where the only obvious headliner, Watch Out for Rockets – the provocative lo-fi pop project from Murdocks drummer David Jones – loaded out before most Red River clubs even opened their doors.